Autore: Bianchi, Marina
Titolo: Fantasmagoría, alegoría y disidencia en los Himnos a los árboles de Vicente Núñez
Periodico: In verbis
Anno: 2020 - Volume: no - Fascicolo: 1 - Pagina iniziale: 65 - Pagina finale: 84

In contemporary literature, phantasmagoria is the creation of manipulatedimages of reality, justified by the aesthetic will or by the impossibility of resortingto mimetic forms. As Benjamin teaches, phantasmagoria has to do with GuyDebord’s «society of the spectacle», with the appearances and the opacity of themirrors. Allegory is fundamental in order to study phantasmagoria, especially inpoetry; Angus Fletcher, who will provide us with the methodological paradigm,describes it as the rhetorical figure in which the «literal surface suggests apeculiar doubleness of intention» which «becomes much richer and moreinteresting if given interpretation». Under the denomination of “allegoricalphantasmagoriaµ, we will analyze the fusion of the illusory transfiguration of theworld with the deformation in the continued metaphor that reveals the criticalsituation in the Himnos a los árboles, by the poet Vicente Núñez, who is amember of the Andalusian group of the mid-twentieth century generation. Thehermeticism of the work is due to the poet’s desire to make it comprehensibleonly to the reader who is attentive and accustomed to textual hermeneutics,able to perceive the hidden truth of Núñez’s peculiar dissidence.




SICI: 2279-8978(2020)NO:1<65:FAYDEL>2.0.ZU;2-1
Testo completo: https://www.rivisteweb.it/download/article/10.7368/97653
Testo completo alternativo: https://www.rivisteweb.it/doi/10.7368/97653

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