Autore
Cappellini, PatriziaTitolo
I "rettangoli viventi" di Barnett Newman: una riflessione estetica su emozione e cognizione nell'arte astrattaPeriodico
AisthesisAnno:
2008 - Volume:
1 - Fascicolo:
2 - Pagina iniziale:
0The transition between the first abstract art – the one that precedes the second post-war period - and its later development can be investigated through Barnett Newman's “living rectangles”. Because Newman's pictures try to overcome both the objective idea of art - that still survives in the programmatic, geometrical abstraction of painters such as Mondrian and Klee - and the pure visibility of later formalist painters. Released from every prepackaged figure, emotion is commited though dangerously to language alone.
SICI: 2035-8466(2008)1:2<0:I"VDBN>2.0.ZU;2-6
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