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Autore
Cappellini, Patrizia

Titolo
I "rettangoli viventi" di Barnett Newman: una riflessione estetica su emozione e cognizione nell'arte astratta
Periodico
Aisthesis
Anno: 2008 - Volume: 1 - Fascicolo: 2 - Pagina iniziale: 0

The transition between the first abstract art – the one that precedes the second post-war period - and its later development can be investigated through Barnett Newman's “living rectangles”. Because Newman's pictures try to overcome both the objective idea of art - that still survives in the programmatic, geometrical abstraction of painters such as Mondrian and Klee - and the pure visibility of later formalist painters. Released from every prepackaged figure, emotion is commited though dangerously to language alone.



SICI: 2035-8466(2008)1:2<0:I"VDBN>2.0.ZU;2-6
Testo completo: http://www.fupress.net/index.php/aisthesis/article/download/10944/10342

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