Autore
Pallotto, Manuela

Titolo
Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Periodico
Aisthesis
Anno: 2010 - Volume: 3 - Fascicolo: 2 - Pagina iniziale: 0

Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence.



SICI: 2035-8466(2010)3:2<0:MUTMDA>2.0.ZU;2-Z
Testo completo: http://www.fupress.net/index.php/aisthesis/article/download/11013/10385

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