Autore
Guarnieri Corazzol, AdrianaTitolo
Nazionalismo e cosmopolitismo nella produzione matura di Antonio SmaregliaPeriodico
Musica e storiaAnno:
2004 - Volume:
0 - Fascicolo:
3 - Pagina iniziale:
631 - Pagina finale:
648The works of Smareglia constitute an historical and historiographic case that can be interpreted through the prism of the nationalism/cosmopolitanism antithesis. The scant diffusion of Smareglia's operas in Italy and their limited critical success might be explained by their exclusion from an editorial marketplace that was both divided and contrary (Giulio Ricordi, Edoardo Sonzogno) but at the same time inspired by a cultural project of "italianità " in which Smareglia's supranational and classicalromantic dimension was unable to find a place. This theme is investigated through the examination of four operas from Smareglia's mature period and the cultural spheres that gradually revealed, by contrast, this substantial "non-italianità ": in the youthful production (considered in its entirety) of the Scapigliatura movement, with the stance of Arrigo Boito; in the characteristics and the ideology of the sonzognana veristic opera, "Nozze istriane"; in the European symbolism mediated by Gabriele d'Annunzio in "La falena"; in the mediterranean myth formulated by Nietzsche and reformulated by d'Annunzio in "Oceà na"; and finally, in "Abisso", the most experimental and competitive nationalism of the composers of the next generation.
SICI: 1127-0063(2004)0:3<631:NECNPM>2.0.ZU;2-S
Testo completo:
http://www.mulino.it/ws/rwDirectDownload.php?doi=10.1420/19120Testo completo alternativo:
http://www.mulino.it/rivisteweb/scheda_articolo.php?id_articolo=19120Esportazione dati in Refworks (solo per utenti abilitati)
Record salvabile in Zotero
Biblioteche ACNP che possiedono il periodico