The Cambridge Companion to Postmodernism offers a comprehensive introduction to postmodernism. The Companion examines the different aspects of postmodernist thought and culture that have had a significant impact on contemporary cultural production and thinking. Topics discussed by experts in the field include postmodernism's relation to modernity, and its significance and relevance to literature, film, law, philosophy, architecture, religion and modern cultural studies. The volume also includes a useful guide to further reading and a chronology. This is an essential aid for students and teachers from a range of disciplines interested in postmodernism in all its incarnations. Accessible and comprehensive, this Companion addresses the many issues surrounding this elusive, enigmatic and often controversial topic. (da sito Cambridge University Press)
Vedi indiceINDEX
9–11 (11 September 2001), 171, 175, 176,
177
Abba, 112
Abramovic, Maria, 113
Acconci, Vita, 110
actor-network theory, 153
Adorno, T. W., 192–193
Afternoon: A Story (Joyce), 78
Ahmad, Ajiz, 128
Alien sequence (Scott et al.), 59
allegory, 85–87, 89, 91
Al-Quaeda, 175
alterity, 212, 214, 215, 221
Althusser, Louis, 25, 32
Amalgamemnon (Brooke-Rose), 78
America (Baudrillard), 45–46
Anderson, Laurie, 84, 88, 89, 90, 107
Anderson, Perry, 20–25, 42, 120
Angel City (Shepard), 104–105
animals, 194
Anti-Oedipus (Deleuze and Guattari), 27
Arendt, Hannah, 182–183, 190–191
Aristotle, 210, 215, 216
Aronowitz, Stanley, 160
Athena (Banville), 76
Aug´e, Marc, 120
Auner, Joseph, 17
Auslander, Philip, 13, 14
Auster, Paul, 75
Austin, John, 200
auteur, 52
Bakhtin, Mikhail, 14–15
Banes, Sally, 14, 100–101
Banville, John, 75
Athena, 76
Book of Evidence, The, 76
Frames trilogy, 75
Ghosts, 76
Barnes, Julian, 75
Barth, John, 71, 78
Barthelme, Donald, 74
Barthes, Roland, 28, 64
S/Z, 64
Bataille, Georges, 13, 91, 173
Baudrillard, Jean, 2, 3, 30–32, 33, 35, 43–47,
48, 49, 50, 53, 57, 58, 118, 171, 176,
177
America, 45–46
“Precession of Simulacra, The,” 43–45
Bauman, Zygmunt, 172, 182
Beauty and the Beast (Disney), 112
Beauvoir, Simone de, 183
Beck, Julian, 109
Beck, Ulrich, 161–162
Beckett, Samuel, 1, 14, 18, 64, 70–71, 75,
101
Company, 70
Ill Seen Ill Said, 70
Worstward Ho, 70
becoming, 36–37
Being, 185–186, 187
Bell, Daniel, 2, 5, 10
Benamou, Michel, 99, 100, 110
Benjamin, Walter, 193
Bergman, Ingmar, 52
Berry, Philippa, 13
Bertens, Hans, 4
Bigelow, Katherine, 52
Biro, Matthew, 175–176
Blade Runner (Scott), 49–50
Blanchot, Maurice, 173
blockbuster, 52, 59
Blue Velvet (Lynch), 50
body, 116body art, 110, 113
Body Heat (Kasdan), 49
Boghossian, Paul, 154
Bois, Yve-Alain, 91
Book of Evidence, The (Banville), 76
Booth, Wayne C., 63
Borges, Jorge Luis, 74
Bowie, David, 46
Brave New World (Huxley), 143
Bread and Puppet Theatre, The, 109
Brecht, Bertolt, 14, 101
Bricmont, Jean, 154
Brooker, Peter, 54, 102
Brooker, Will, 54
Brooke-Rose, Christine,
Bruno, Giuliana, 49–50
Butler, Judith, 33, 34, 36
Byatt, A.S., 71
Cage, Nicholas, 55–57, 59
Callinicos, Alex, 48
Calvino, Italo, 74
Castle of Crossed Destinies, The, 76
If On a Winter’s Night a Traveller, 78
capitalism, 44–45, 47–48, 133–134
Caro, Anthony, 93, 96
Carson, Rachel, 145
Carter, Angela, 71
Wise Children, 78
Castells, Manuel, 124
Castle of Crossed Destinies, The (Calvino),
76
casuistry, 215–216
Certeau, Michel de, 13, 123, 173
Chaplin, Charlie, 52
character, 100, 103–106, 108
Chekhov, Anton, 101
Chicago School, 121
Chimera (Barth), 78
Cho, Margaret, 103
chora, 174
Christianity, 174
city, 118, 119
informational, 124–125
see also urbanism
Cixous, H´el`ene, 13, 173, 189
cloning, 143–144
common law, 216
communications, 139–140
Company (Beckett), 70
comprehension, 184, 185–187, 189, 190,
191, 192, 193
computers, 138–142
Con Air (West), 56
Connor, Steven, 48, 123
Conrad, Joseph, 63, 74, 127
Nigger of the “Narcissus”, The, 63
construction, social, 150, 151
context, 206
contract law, 205, 206–208
Conversiones (Acconci), 110
Coover, Robert, 74
A Night at the Movies, 74–75
Corbusier, Henri Le, 118
Count of Monte Cristo, The (Dumas),
106
Cover, Robert, 201
Creed, Barbara, 50, 59
Crick, Francis, 142–143
Crimp, Douglas, 84, 85, 87, 88
critical legal studies, 209
Crucible, The (Miller), 111
Crying of Lot 49, The (Pynchon), 73,
169–170, 171, 177
Culler, Jonathan, 203
culturalism, 154
cyborg, 37, 144
Dafoe, Willem, 107
Dalton, Clare, 205
dance, 13, 14, 100–101, 113
Davis, Mike, 122, 123
Dawkins, Richard, 191–192
deconstruction, 203–209
dedifferentiation, 3
deep ecology, 146
delegitimation, 3
Deleuze, Gilles, 20, 27, 36–37, 65, 192
Anti-Oedipus, 27
Thousand Plateaus, 27, 185
DeLillo, Don, 72
Underworld, 72
White Noise, 72
Dennett, Daniel, 191
Denzin, Norman, 47, 52
depthlessness, 119–120
Der Inka Von Peru (Jones), 104, 105–106
Derrida, Jacques, 5, 13, 20–21, 29, 35, 65,
170, 171, 173, 174, 182, 184, 185, 191,
193, 205, 211, 219
Specters of Marx, 169, 173
Descartes, Ren´e, 21, 22, 23
Dewey, John, 24
Dictionary of the Khazars (Pavic), 76–77diff´erance (Derrida), 174
digital technology, 140–142
Disneyland, 44, 118–119
divine, 176
Doctorow, E. L., 118
Dolly the sheep, 143
Dougherty, Robin, 55
Douzinas, Costas, 12–13
Downriver (Sinclair), 75
Dreyfus, Hubert L., 26
Duncan, Isadora, 14
Durkheim, Emile, 186
Dworkin, Ronald, 200–201
Eaglestone, Robert, 15–16
Eagleton, Terry, 153–154
ecology, deep, 146
ecosophy (Guattari), 40
´ecriture f´eminine, 34–35
edification, 24
Edinburgh School, 152, 157
Einstein on the Beach (Wilson), 66
Eisenstein, Sergei, 52
Eliot, T. S., 10, 62, 63, 68, 180
ending, 20–22, 35
Engels, Friedrich, 168
Enlightenment, 148, 160
environmentalism, 144–146
Ephron, Nora, 52
epistemology, 24
ethics, 15–16, 24–25, 196, 210–215, 217,
219, 220, 221
and postmodernism, 182–195
temporality of, 220
experience, 127
exteriority, 133
Face/Off (Woo), 53–59
Fanon, Franz, 182–183, 186
fear, 218, 219
Fellini, Federico, 52
feminism, 32–35, 36, 50, 154–155
F´eral, Josette, 109–110
Feyerabend, Paul, 157
film, 43–61
Finley, Karen, 103, 113–114
Finnis, John, 209
Fitch, John, 125
Flanagan, Richard, 77
flˆaneuse, flˆaneur, 177
force, 201–202, 218, 219
form, legal, 196–197
Foster, Hal, 91
Foucault, Michel, 5, 25–26, 32, 116, 192, 196
Fowles, John, 71
Frames trilogy (Banville), 75
France, Anatole, 211
Frank, Joseph, 62
Frankenstein (Shelley), 78–79, 144
freedom, 186–187, 213
Freud, Sigmund, 186
Fried, Michael, 86, 87–88, 89, 93, 110, 116
Frow, John, 4, 110
Frug, Gerald, 205
Fuchs, Elinor, 103–104
Fuentes, Carlos, 71
Fukuyama, Francis, 129
Fuller, Steve, 158
fundamentalism, 170–171
gender, 37, 46
genetic engineering, 143–144
Genette, G´erard, 64–65
Gershwin, George, 106
Ghosts (Banville), 76
Ghostwritten (Mitchell), 75
Gibson, Andrew, 65
Gibson, William, 67
Gilbert, Stuart, 68
globalization, 126–130, 162
Goethe, Johann Wolfgang von, 14
Golem, 144
Gorky, Maxim, 106
Gould’s Book of Fish (Flanagan), 77
Graham, Martha, 14
“grand narratives,” 28–29
Gravity (Serra), 94–95
Gray, John, 175
Gray, Spalding, 102–103
India and After (America), 103
Grease (Kleiser), 56
Greenberg, Clement, 86, 87–88, 89, 93
Gross, Paul, 149, 156
Ground Beneath Her Feet, The (Rushdie),
172
Guattari, F´elix, 20, 27, 40, 192
Anti-Oedipus, 27
ecosophy, 40
Thousand Plateaus, A, 27, 185
Gulf War, 31
Habermas, J ¨ urgen, 6
Handke, Peter, 66
Hansen, Miriam Bratu, 51–52
Haraway, Donna, 34–37, 155, 156, 157, 160
Harding, Sandra, 155, 156–157, 160Hardt, Michael, 130
Hart, Herbert, 198–199, 200, 201
Hart, Roger, 191
Harvey, David, 6, 119, 125, 127
Hassan, Ihab, 2
Hayden, Dolores, 132
Hegel, Georg Wilhelm Friedrich, 21, 22, 24,
36, 92, 93, 95, 185, 186, 187
Heidegger, Martin, 23–24, 26, 29, 130, 174,
185–186, 187, 212
Heraclitus, 36
hermeneutics, 199, 200–201, 204
Hetata, Sherif, 128
history, 29, 49–50, 116, 129–130, 132
History of the World in 1012
Chapters,
A (Barnes), 75
Hitchcock, Alfred, 52, 55
Hoffmann, E. T. A., 144
“The Sandman,” 144
H¨ olderlin, Friedrich, 23
Hollywood, 51, 53
“New,” 52–53
Holton, Gerald, 156
Hutcheon, Linda, 32, 34, 50, 62, 65
Huxley, Aldous, 143
hyperreal, 31, 48
hypertext fiction, 78–79
Ibsen, Henrik, 14, 101
identity, 33–34
If On a Winter’s Night a Traveller (Calvino),
78
Ill Seen Ill Said (Beckett), 70
Imaginary Women (Westlake), 78
imperialism, 127–128
Super Imperialism, 128
Importance of Being Earnest, The (Wilde),
105
incommensurablity, 67
indeterminacy, 205–206, 209, 215–217
India and After (America) (Gray), 103
information, 141–142
intention, 206
interference, 17
International Monetary Fund, 129
internet, 123, 140, 141
interpretation, 201, 218
interruption, 77–78
culture of, 77–78
intertextuality, 208
Irigaray, Luce, 13, 20, 32, 33–34, 36, 173,
185
Islam, 174–175
Jab`es, Edmond, 173, 176
Jackson, Michael, 46, 117
Jackson, Shelley, 78
James, Henry, 63, 74
Jameson, Fredric, 2, 3, 6, 11, 43, 47–49, 50,
52, 54, 65, 90, 104–105, 107, 112, 119,
125
Jencks, Charles, 2, 6
Jewish thought, 175
Johnson, B. S., 78
Jones, David, 62
Jones, Jeffrey M., 104, 105–106, 108
Joyce, James, 5, 63, 68, 69, 70, 71, 74
Finnegans Wake, 70, 78, 180
Ulysses, 68, 69, 71
Joyce, Michael, 78
jurisprudence, 197
external theories of, 198
internal theories of, 198
modernist, 212
justice, 210–211, 214–215, 216, 218–221
time of, 218–219, 220
Kant, Immanuel, 22, 35, 93, 190, 211
Kaufman, Andy, 108, 110
Kelsen, Hans, 198, 201
Kennedy, Duncan, 205
Kern, Stephen, 126
Kiefer, Anselm, 175
Kierkegaard, Søren, 173
King, Geoff, 53
King, Ursula, 169
(k)nots, 178, 181
Kornbluth, Josh, 103
Krauss, Rosalind, 88, 91
Kristeva, Julia, 32–33, 173
Kuhn, Thomas, 151, 152, 157
Kurosawa, Akira, 52
Lacan, Jacques, 5, 25, 32, 46, 49
Landow, George, 79
language, 22, 69–70
language games, 148
Latour, Bruno, 7–9, 152–153, 154, 158
law, 12–13
and force, 201–202, 218, 219
and interpretation, 201
and postmodernism, 196–223
multiplicity of, 202–203
Lawrence, D. H., 63, 74
LeCompte, Elizabeth, 111
Lefebvre, Henri, 117, 131, 132
legitimation, 148–149Lenin, Vladimir Ilich, 127
Levi, Primo, 76
L´evi-Strauss, Claude, 25
Levinas, Emmanuel, 13, 14, 15, 24–25, 173,
175, 176, 184–189, 192, 193, 211–212,
219
Levine, Sherrie, 87, 88
Levitt, Norman, 156, 161
L´evy-Leblond, Jean-Marc, 161
Lewis, James R., 172
liberal philosophy, 210
Life: A User’s Manual (Perec), 76
L’informe (Krauss), 91
Living Theatre, The, 109
Lochhead, Judy, 17
Locke, John, 209
logonomocentrism, 202, 203
Longley, Clifford, 172
Longo, Robert, 84–85, 86, 88, 90
Los Angeles, 122, 123, 124
Louis, Morris, 86
LSD – Just the High Points (Wooster Group),
111–112
Lubbock, Percy, 63
Lynch, David, 52
Lyotard, Jean-Franc¸ois, 2, 5, 6, 15, 16,
28–29, 65, 67, 74, 90, 133–134,
148–149, 183, 185, 191
McHale, Brian, 62, 65–66
MacIntyre, Alasdair, 28
Mackinder, Halford J., 126
Malina, Judith, 109
Mallarm´e, St´ephane, 5, 180
man, 25–28
Mann, Thomas, 71
Mansfield, Katherine, 74
Marcaccio, Fabian, 88
M´arquez, Gabriel Garc´ıa, 71
One Hundred Years of Solitude, 78
Marshall Plan, 121
Martin, Steve, 107–108
Marxism, 6, 44, 48, 93, 126–127, 129, 168
masculinity, 59
Matrix, The (Wachowski brothers), 117
mediatization, 112
medium, 89
Metamorphoses (Ovid), 144
metanarrative (Lyotard), 148
metaphysics, 22, 24–25
Microsoft, 129
Midgley, Mary, 182
Midnight’s Children (Rushdie), 64
Mies van der Rohe, 118
migration, 123–124
Miller, Arthur, 111
Miller, Tim, 103
Minimalism, 88, 90, 93–94
Mitchell, David, 75
modernism, 5–6, 9–10, 13, 51–52
and science, 136, 148, 180
and short story, 74
and space, 116, 118, 120, 121–122, 123,
125, 126, 127
in art, 82, 85, 86, 87, 89, 90, 91, 92
in literature, 62–63, 65, 67, 68–69, 74
legal, 197, 198, 202, 210
modernity, 7–9, 84, 92, 129, 133, 136, 199,
211, 217
modernization, 128, 145
monologue, 102–104, 110, 113
montage, 51
Moonstruck (Jewison), 56
morality, 199, 200–201, 202
see also ethics
Mrs Dalloway (Woolf), 68, 71
MUDs (Multi-User Domains), 79
Mumford, Lewis, 121
Museum of Modern Art, New York, 5
music, 17
Musil, Robert, 71
Mysteries (Living Theatre), 109
Nabokov, Vladimir, 74
Nancy, Jean-Luc, 173, 176
narrative, 28–30, 62–66, 68–79, 223
narratology, 64–65
Nash, Cristopher, 10
nationalism, 128
nature, 26–28, 146
Negri, Antonio, 130
New Age, 172, 173
New Criticism, 62–63
New York City, 123
New York Trilogy (Auster), 75
Nietzsche, Friedrich, 23, 30, 36, 47, 170
Nigger of the “Narcissus,” The (Conrad), 63
Night at the Movies, A (Coover), 74–75
“non-nativity,” 83, 90
non-place, 176
non-places, 120
normativity, 210–211
Norris, Christopher, 31–32
October, 88, 91
Offending the Audience (Handke), 66One Hundred Years of Solitude (M´ arquez),
78
O’Neill, Eugene, 106
O’Neill, James, 106
opera, 101–102
origins, 20
Orlan, 113
other, the, 187–190, 214, 217, 220, 221
see also alterity
Ovid, 144
Owens, Craig, 84, 85, 87, 88, 90, 91
painting, 92–93
Paradise Now (Living Theatre), 109
parody, 50, 59, 107
see also pastiche
participation, democratic, 161
pastiche, 48–49, 50, 54, 105, 107
see also parody
Patchwork Girl (Jackson), 78
Pavic, Milorad, 76–77
Pentagon, 129
Pepper, Thomas, 168–169
Perec, Georges, 76
performance, 13–14
character in, 100, 103–106, 108
devised, 109, 114
pluralism in, 113
performance art, 98–99, 113–114
Performance Group, The, 109
Performance in Postmodern Culture
(Benamou), 99
performance studies, 100
performativity, 218, 219
Periodic Table, The (Levi), 76
Perloff, Marjorie, 66
person, legal, 212
perspective, 63
philosophy and postmodernism, 20–25, 42
phronesis, 215, 216
physics, 142
place, 131–132
see also non-place
Plato, 174, 190, 208
poetry, 62–63, 66
political theatre, 110–113, 114
Pollock, Jackson, 85, 86, 87
Pop Art, 88, 90
popular culture, 16–17
positivism, legal, 198–199, 201, 204, 209
postal rule, 207
post-historical, 90
posthumanism, 36–38
Postman Always Rings Twice, The
(Rafelson), 49
postmodernism
analogical, 3
and art, 82–96
and directing, 106
and ethics, 182–195
and law, 196–223
and literature, 62–81
and performance, 97
and philosophy, 20–25, 42
and religion, 168–181
and scale, 67–79
and science, 136–167
and short story, 74–75
and space, 116–135
and theatre, 66–67
as periodizing concept, 98
as structure of feeling, 105–106
as stylistic term, 98, 136
autonomous stage, 4–5
film, 43–61
geneaological, 3
guides to, 9, 10
stage of accumulation, 1–2
stage of dissipation, 11–12
stage of synthesis, 2–4
post-religion, 14, 171–172, 174
Pound, Ezra, 62, 63, 180
“The Return,” 180
Poussin, Nicolas, 85, 86, 87
“Precession of Simulacra,” (The)
(Baudrillard), 43–45
presentism, 10–11
progress, 147–148
promise, 220
Proust, Marcel, 71
Psycho (Hitchcock), 52
Pulp Fiction (Tarantino), 54, 56
Pygmalion, 144
Pynchon, 71
Crying of Lot 49, The, 73, 169–170, 171,
177
quasi-objects, 7, 8
Queen (rock group), 112
quotation, 88, 89
Rabinow, Paul, 26
Raschke, Carl, 172, 173
rationality, 160
Rawls, John, 210, 213
Rear Window (Hitchock), 52R´ee, Jonathan, 192
Reed, David, 88
“reenchantment of the world” (Bauman),
172
reflexivity, 59
refugees, 217–218, 219
regulatory practices, 197
Reichenbach, Hans, 157–158
relativism, 150, 153–155, 156, 157, 169
religion, 13
and postmodernism, 168–181
fundamentalist, 170–171
see also post-religion
responsibility, 213
rhetoric, 208–209
rhizome, 36
Richardson, Dorothy, 63
Rilke, Rainer Maria, 23
“risk society” (Beck), 161–162
Roberts, Richard H., 171
Romanticism, 159
Romeo and Juliet (Shakespeare), 105
Rorty, Richard, 24, 30, 153
Rose, Margaret, 48
Ross, Andrew, 155–156, 160
Roussel, Raymond, 5
rules, legal, 197, 204
Rushdie, Salman, 64, 71, 72, 78
Ground Beneath Her Feet, The, 172
Satanic Verses, The, 178
sacred, 174
Said, Edward, 189
Sallis, John, 178
“Sandman, The” (Hoffmann), 144
Sardar, Ziauddin, 10
Satanic Verses, The (Rushdie), 78, 178–179
Saturday Night Fever (Badham), 56
Saussure, Ferdinand de, 191
scale, 67–79
science, 16, 28, 136–167, 183, 191–192
criticism of, 137, 146–160
democratic participation in, 161
feminism and, 154–155
legitimation of, 148–149
social construction of, 150, 151
“science wars”, 149, 160
sculpture, 92–94, 95
Sellars, Peter, 101, 106–107, 108
Serra, Richard, 93–96
Gravity, 94–95
Snake, 95
Tilted Arc, 94–95
Torqued Ellipses, 94–95, 96
Serres, Michel, 7, 27–28, 34–37, 38
service economy, 141–142
sex, 11
Shakespeare, William, 105
Shell Corporation, 129
Shelley, Mary, 78–79, 144
Shelley, Percy Bysshe, 1
Shepard, Sam, 104–106
Angel City, 104–105
The Tooth of Crime, 109
Sherman, Cindy, 84, 86, 88, 89, 91
Shewey, Don, 106
short story
modernist, 74
postmodernist, 74–75
simulation, 30, 43–45, 49–50, 118, 119,
130
Sinclair, Iain, 75
“situated knowledges” (Haraway), 155–156,
158–159
Smith, David, 93, 96
Smith, Tony, 88
Snake (Serra), 95
Sobchack, Vivian, 46
Socrates, 186
Soja, Edward, 119
Sokal, Alan, 149, 154, 191
Something Wild (Demme), 50
space, public, 94, 123
and place, 131–132
production of, 131
“spatial form” (Frank), 62
spectacle, 52
Specters of Marx (Derrida), 169, 173
Spivak, Gayatri, 35
stand-up comedy, 107–108, 113
Star Wars (Lucas), 49
Stella, Frank, 86
Stevens, Wallace, 63
Strangers on a Train (Hitchcock), 55
Strindberg, August, 14
Stroheim, Erich von, 52
structuralism, 64–65, 204
subject, 25, death of, 25–26
in feminism, 32
subjectivity, 104
sublime, 67, 74
Suleri, Sara, 178
“Super Imperialism”, 128
supermodernity, 120surfaces, 117, 118
surveillance, 122
Sweet Smell of Success, The (Mackendrick),
112
symbolism, 180
S/Z (Barthes), 64
Tarantino, Quentin, 52, 54
Taylor, Mark C., 178
technology, 136–137, 138
communications, 139–140
digital, 140–142
television, 77–78, 120
temporality, 49–50
of ethics, 220
Texas Instruments, 129
the CIVIL warS (Wilson), 66
theatre, 66–67, 101–102
political, 110–113, 114
theory, 21, 82–83
Third World, 128
thought
Jewish, 175
western, 183–184, 189–190
Thousand Plateaus, A (Deleuze and
Guattari), 27, 185
thymos, 180
Tidewater Tales, The (Barth), 78
Tilted Arc (Serra), 94–95
time, 63, 67
of reading, 77
of justice, 218–219, 220
see also temporality
To the Lighthouse (Woolf), 74
Tooth of Crime, The (Shepard), 109
Torqued Ellipses (Serra), 94–95, 96
totalitarianism, 190–191
tourism, 126
Trakl, Georg, 23
Travolta, John, 55, 57, 59
TriadCity, 79
Ulysses (Joyce), 68, 69, 71
Underworld (DeLillo), 72
Unfortunates, The (Johnson), 78
Unger, Roberto, 211
universality, 83–84
urbanism, 120–126
Vattimo, Gianni, 29
violence, 54, 57–58, 220
Virilio, Paul, 6, 37–38, 74
vision, 63
visual culture, 90–92
voice, 63–64, 207
Wachowski brothers, 117
Warhol, Andy, 119
Watergate, 45
Watson, James, 142–143
Waugh, Patricia, 159
Waves, The (Woolf), 127
Weinberg, Steven, 156–157
western thought, 183–184, 189–190
Westlake, Michael, 78
White, Hayden, 29
White, James Boyd, 200
White Noise (DeLillo), 72
Wilde, Oscar, 105
Williams, Linda, 52, 54
Williams, William Carlos, 62
Wilmut, Roger, 143
Wilson, Robert, 66
Einstein on the Beach, 66
the CIVIL warS, 66
Winch, Peter, 183
Wise Children (Carter), 78
Wittgenstein, Ludwig, 22–23, 148, 184,
209
Woo, John, 53–59
Woodard, Charlayne, 103
Woolf, Virginia, 63, 74
Mrs Dalloway, 68, 71
Waves, The, 127
Woolgar, Steve, 158
Wooster Group, 102, 107, 111–112,
114
LSD – Just the High Points, 111–112
World Bank, 129
Worstward Ho (Beckett), 70
writing, 35, 207–208
Wynne, Brian, 158
Yeats, W. B., 63
Zˇ izˇek, Slavoj, 129, 176