The Cambridge Companion to D. H. Lawrence contains fourteen chapters by leading international scholars. They offer a series of alternative perspectives on one of the most important and controversial writers of the twentieth century. These specially-commissioned essays offer diverse and stimulating readings of Lawrence's major novels, short stories, poetry and plays, and place Lawrence's writing in a variety of literary, cultural, and political contexts, such as modernism, sexual and ethnic identity, and psychoanalysis. The concluding chapter addresses the vexed history of Lawrence's critical reception throughout the twentieth century. The volume, which will be of interest to scholars and students alike, features a detailed chronology and a comprehensive guide to further reading.
(da sito Cambridge University Press)
Vedi indiceINDEX
Achebe, Chinua, 71
Aldington, Richard, 120, 131, 158, 165,
259, 260
Annan, Noel, 262
anthropology, 2, 46, 113–14, 181
apocalyptic thought, 10, 34, 58–59, 61,
77–78, 235–52
see also ‘New Age’ cultural phenomena
Appignanesi, Lisa, 187
Asquith, Cynthia, 113, 114, 168
Auden, W. H., 128, 259
Bachofen, J. J., 45
Bakhtin, Mikhail, 33, 113, 190
Balbert, Peter, 34, 214n.7
Barthes, Roland, 158–59, 164
Bataille, Georges, 113–14
Bates, Alan, 265
bathos, 1, 115–17
Baudelaire, Charles, 257, 258
Baudrillard, Jean, 236
Bayley, John, 113
Baynes, Rosalind, 35, 47n.6, 177n.23
Beauvoir, Simone de, 124, 204, 264
Beckett, Samuel, 236
Bell, Michael, 2, 5, 10, 29n.7, 30n.18, 173,
238, 267
Benjamin, Walter, 240
Bennett, Arnold, 138, 152n.6, 189, 255
Bennett, Joan, 262
Bergson, Henri, 182
Biblical language and metaphor 5, 11, 44,
62, 78, 127, 147–48, 166, 189, 209,
239–50, 253, 256–57, 258, 259
see also apocalyptic thought; Christianity;
Paul, St
biography, 8, 9, 30n.12, 36–37, 47n.6, 123,
157–77, 197, 224–25, 237, 255,
256–57, 259
see also Cambridge Biography of D. H.
Lawrence
Björckman, Edwin August, 219
Blackmur, R. P., 121
Blake, William, 120, 256
Blavatsky, Madame, 235
blood consciousness, see physical
consciousness
Bloomsbury, 53, 58–59, 166, 219, 238
Brett, Dorothy, 73, 79
Brill, A. A., 220
Brooke, Rupert, 165
Brooks, Cleanth, 4
Bunyan, John, 116
Burgess, Anthony, 50
Burnet, John, 129, 167, 180
Burrow, Trigant, 170, 231–32
Burrows, Louie, 138, 160, 162
Burton, Sir Richard, 52–53, 63
Butler, Judith, 236
Cambridge Biography of D. H. Lawrence, 9,
30n.12, 159, 160–70, 224–25
Cambridge Edition of the Works of D. H.
Lawrence, 6–7, 28, 111–12, 163–64,
176n.15, 254, 271
Cannan, Gilbert, 165
capitalism, 16, 90–92, 96–97, 101, 198,
201, 204–6, 210, 268
see also industrialism
Carpenter, Edward, 238
Carswell, Catherine, 157, 165, 257
Carter, Angela, 266
Carter, Frederick, 78
Cather, Willa, 172
Caudwell, Christopher, 203
Chambers, Jessie, 2, 17, 18, 19, 20, 54, 119,
138, 139, 160, 161, 162, 170
Chambers, Jonathan David, 54
Chekhov, Anton, 105, 138
childhood, 40–41, 88–89, 90, 91, 93–94, 96,
97, 122, 169, 219, 225–26, 227–28,
229, 230, 263, 264
Christianity, 17–21, 25, 30n.12, 38–39, 54,
56–57, 62, 71–72, 82, 129, 169, 173,
184, 197, 238–41, 244, 253, 257
see also apocalyptic thought; Biblical
language and metaphor; Paul, St
Clarke, Colin, 265
Clarke, Ian, 143
class, 2, 4, 15–16, 55, 91, 96, 97, 104, 105,
132, 138–41, 143, 146, 148, 160, 182,
197–215, 239, 263
classicism, 180, 256, 258, 268
Clinton, Bill, 198
Coleridge, Samuel Taylor, 129
colonialism, 3, 8–9, 42, 54, 67–85, 172,
181, 184, 232
see also race
comedy, 9, 36, 49, 108–9, 113–17, 141,
142, 143–44, 146, 148, 150, 174,
177n.25, 238, 249
see also bathos; irony; satire
communism, 84n.11, 92, 202–4, 209, 211,
212
see also socialism
Connolly, Cyril, 259
Conrad, Joseph, 83n.2, 138, 262
Cooper, James Fenimore, 67–68, 69
Cowan, James C., 264
Craft, Christopher, 60
Creme, Benjamin, 235
Crèvecoeur, J. Hector St John de, 223–24
D. H. Lawrence Review, 264
Daleski, H. M., 261
Dante, 39, 180, 189
Darwin, Charles, 17, 18, 21, 25, 188, 189,
191
Dax, Alice, 138, 160
Day-Lewis, C., 262
death, 3, 37, 54, 56, 57–63, 70n.18, 76, 79,
82, 105–6, 110, 112, 114, 117, 119,
123, 132–34, 139, 141, 165, 166, 229,
235–36, 239–50, 266
Delany, Paul, 50–51
Delavenay, Emile, 158
Derrida, Jacques, 5, 173
Descartes, René, 185, 220, 233n.7
dialect, 132, 139–40, 146, 153n.12, 202
Dietrich, Marlene, 249, 252n.21
Dijkstra, Bram, 242
Dix, Carol, 266
Dodge, Mabel, 68–69, 70, 80, 123, 148,
169, 172
Dollimore, Jonathan, 266
Donne, John, 189
Doolittle, Hilda (H.D.), 35, 120, 124, 165,
184, 188, 248–49
Dostoevsky, Fyodor, 190
dualities, Lawrence’s use of, see polarities
Eagleton, Terry, 203
Eastwood, 19–20, 30n.12, 137, 160, 161,
162, 211, 256
Eder, David, 219–20
education, 67, 72, 88–89, 96, 129, 137, 161,
201, 203, 227–28, 232, 260, 262, 264
Einstein, Albert, 182
Eliot, George, 24, 180, 186, 194n.3, 260
Eliot, T. S., 5, 7, 9, 10, 16, 33, 113, 120,
130, 157, 162, 179–80, 181, 185–86,
187, 188, 189, 192, 193, 203–4, 236,
238, 248, 256, 257, 258, 259, 260,
267–68
Ellis, David, 18–71
Ellis, Havelock, 8, 45–47
emotion, see feeling
Empedokles, 167
Engels, Friedrich, 205
English Review, 2, 54, 103, 119, 138
Englishness, 8, 49–65, 67–85, 104, 108,
109–10, 116, 166, 168–69, 172–73,
176n.21, 190–91, 203, 210, 225, 232,
260
Euripides, 138
evolutionary theory, 2, 8, 15, 17–21, 22–25,
61, 189
Expressionism, German, 237
Fanon, Franz, 72, 84n.18
fascism, 7, 72, 84n.18, 191, 195n. 25, 203,
207, 209, 211, 237
see also Hitler, Adolf
feeling, 10, 21, 23, 24, 28, 37, 40, 47, 82,
93, 120, 121, 122, 123, 124, 127, 128,
130, 131, 134, 150, 151, 157, 161,
162, 163, 167, 171, 173–74, 179–96,
197, 198, 199, 200, 201, 202, 203,
208, 211, 218, 220–21, 222–24,
225–26, 228, 229–31, 239, 257, 260
feminism, 6, 33–34, 71, 74–76, 84n.11, 130,
134, 158, 187, 199, 201, 204, 206,
207, 210–11, 264, 266
see also misogyny; suffragism
Ferris, Timothy, 250
First World War, 8, 37, 49–60, 94, 108, 111,
157, 163–69, 187, 191, 208–9, 212,
219, 222–23, 267
Flaubert, Gustave, 49, 173, 186, 260
Ford, Ford Madox, see Hueffer, Ford
Madox
Forster, E. M., 23, 68, 83n.2, 172, 239, 255,
256, 257, 262, 267
Foucault, Michel, 33, 197–98
Franklin, Benjamin, 224
Frazer, James George, 46, 181
free indirect discourse, 7, 8, 22, 25, 26–28,
39, 150–52, 209
Freud, Sigmund, 10, 29, 43, 45, 163, 184,
198, 200, 204, 205, 206, 217–23,
229–33, 237, 239, 244, 248
see also Oedipus complex; unconscious,
the
Futurism, Italian, 41, 64, 120, 164, 167, 184
Galsworthy, John, 138, 139, 145, 188,
193–94, 232
Gardiner, George, 262
Garnett, David, 52, 53, 58–59
Garnett, Edward, 6, 28, 54, 55, 104, 142,
143, 144–46, 161, 165–66, 168, 184,
185, 189, 254
gender, 3, 6–7, 10, 15, 50, 78, 123, 129,
187–88, 197–215, 227, 232, 264–67
see also feminism; homosexuality;
lesbianism; masculinity; misogyny;
suffragism
General Strike, 210–11
Georgian poetry, 119
Gide, André, 53
Gill, Peter, 149, 196n.31
Goethe, Johann Wolfgang von, 134, 187
Grant, Duncan, 53, 62
Granville-Barker, Harley, 143, 145, 146
Gross, Otto, 45, 163, 219, 283
Haeckel, Ernst, 18
Hardy, Thomas, 25, 120, 176n.15, 180,
199, 237, 249, 262, 267
Hauptmann, Gerhart, 138
Heaney, Seamus, 120
Heidegger, Martin, 173, 177n.31, 180–81,
194n.6
Hemming, James, 262
Herakleitos, 167
Hitler, Adolf, 72, 195n.25, 259
Hobbes, Thomas, 113, 242
Hocking, William Henry, 35, 47n.6, 165
Hoffman, Frederick, 219
Hoggart, Richard, 262, 263
Holbrook, David, 264
Holderness, Graham, 211–12, 267
homosexuality, 15, 44, 46, 52–64, 65n.15,
164–65, 166, 167, 207, 227, 265–67
see also gender; masculinity
Hopi, the, 80–81, 84–85n.22, 172
Hopkins, Gerard Manley, 120
Hough, Graham, 199, 259, 261–62
Hueffer, Ford Madox (Ford Madox Ford), 2,
103, 119, 138–39, 141, 143, 161, 180,
194n.5, 238
Hughes, Ted, 120
Hunt, Violet, 16
Huxley, Aldous, 158, 170, 250, 253–54
Huxley, T. H., 18, 20, 25
Ibsen, Henrik, 138, 143, 145
identity, personal, 3, 8, 27–28, 49, 74–76,
183–84, 201–2, 217–33
Imagism, 9, 119, 121, 268
impersonality, 5, 26–27, 75, 151–52, 157,
182, 185–88, 189, 192
individualism, 3, 19, 20, 24, 57, 73, 75,
87–90, 93, 97, 99, 100–1, 184–85,
198–204, 208–213, 222, 225–26,
230–31, 242
industrialism, 9, 24, 26, 50, 54, 62, 87–88,
91, 94–100, 139, 146, 147, 201, 204–6,
209, 227
see also capitalism
irony, 17, 22, 75, 80, 90, 198, 110, 113,
120, 187, 220, 228, 236, 238, 240, 250
James, Henry, 43, 111, 195n.30
James, William, 18, 29, 29n.9, 31n.29
John of Patmos, St, 78, 239–40
Joyce, James, 3, 5, 27, 104, 105, 111, 167,
179, 180, 182, 183, 184, 185, 186,
187, 188, 189, 192, 193, 222, 267
Jung, Carl Gustav, 45, 217, 220
Kant, Immanuel, 114
Keats, John, 39, 237
Keller, Catherine, 236, 239
Kermode, Frank, 204
Keynes, John Maynard, 52, 53, 58, 62, 63,
65n.23
Kinkead-Weekes, Mark, 3, 8, 47n.6, 159,
163–67, 172, 176n.15, 224, 261
Kipling, Rudyard, 83n.2
Koteliansky, S. S. (‘Kot’), 165
Krafft-Ebing, Richard von, 45
Kristeva, Julia, 63, 225
Kuttner, Alfred, 28
labour, see work
Lamarck, Jean-Baptiste, 21
Lang, Andrew, 181
Larkin, Philip, 36
Lawrence, D. H.,
‘A Propos of Lady Chatterley’s Lover’, 00
Aaron’s Rod, 37, 104, 113, 128, 190, 206,
207, 211, 212, 222, 228, 257
‘After All Saints’ Day’, 248
Altitude, 148, 152n.3
‘America, Listen to Your Own’, 69
Apocalypse, 239–41, 244, 245, 248, 253
‘Art and the Individual’, 20–21
‘Art and Morality’, 173
‘Autobiographical Sketch’, 201–2
‘Baby Running Barefoot’, 121
‘Bavarian Gentians’, 133–34, 242, 245–46
‘Bei Hennef’, 126
Birds, Beasts and Flowers, 120, 128–31,
246, 268
‘The Blind Man’, 108–9
‘The Borderline’, 112
‘Both Sides of the Medal’, 126, 128
The Boy in the Bush, 171
‘The Captain’s Doll’, 110–11, 113, 115,
116, 150
‘Certain Americans and an Englishman’,
70
‘Cherry Robbers’, 122
A Collier’s Friday Night, 137, 139–40,
142, 145, 146, 149, 253
‘The Crown’, 127, 165, 176n.15, 218
The Daughter-in-Law, 137, 140, 144–46,
149–50, 152, 193
‘Daughters of the Vicar’, 112, 161
David, 147–48, 152n.3
‘Education of the People’, 88, 93
England, My England (collection), 104,
108–10, 111, 269n.20
‘England, My England’ (story), 109–10,
111, 269n.20
The Escaped Cock, 37, 38, 39, 103, 112,
117, 191, 241
Fantasia of the Unconscious, 10, 89–91,
93, 213, 217–33, 268
The Fight for Barbara, 137, 143–44, 145,
146
‘Figs’, 130
The First Lady Chatterley, 212
‘Fish’, 128
‘Flowers and Men’, 238
‘Foreword to Sons and Lovers’, 218
‘Foreword to Women in Love’, 58, 190
‘The Fox’ (story) 110, 111, 113
The Fox, The Captain’s Doll, The
Ladybird (collection), 103, 104
‘The Future of the Novel’ (‘Surgery for
the Novel – or a Bomb’), 254
‘Give us Gods’, 235, 242, 243–44
‘Glad Ghosts’, 112, 113, 114–15
‘Gloire de Dijon’, 125, 126, 133
‘Glory of Darkness’, 246
‘Goats and Compasses’, 165, 176n.15
‘Goose Fair’, 112
‘The Horse-Dealer’s Daughter’, 192
‘Indians and an Englishman’, 69–70
‘Introduction to Memoirs of the Foreign
Legion by Maurice Magnus’, 51–52, 60
‘Introduction to these Paintings’, 173–74
‘Jimmy and the Desperate Woman’, 113
‘John Galsworthy’, 5, 173, 188, 193–94,
232
John Thomas and Lady Jane, 254
Kangaroo, 49–52, 54, 170, 171,
175–76n.8, 191, 207
‘Kangaroo’ (poem), 128
Lady Chatterley’s Lover, 2, 4, 9, 11,
12n.8, 15, 36, 37, 38, 39, 40, 42, 45,
87–102, 123, 160, 191, 197, 202, 205,
206, 207, 209, 210, 211–12, 215n.23,
220, 226–27, 237, 245, 254, 255, 256,
261–63, 264, 265, 267
‘The Ladybird’, 110, 111
‘The Last Laugh’, 112, 113
Last Poems, 131, 132, 191, 245–47, 250,
253
‘Leda’, 131, 242
Look! We Have Come Through!, 119,
120, 124–27, 128, 129, 131, 133
The Lost Girl, 168, 211
‘Love on the Farm’, 122–23
‘Making Pictures’, 173
‘Matriarchy’, 232
‘The Man Who Died’, see The Escaped
Cock
‘The Man Who Loved Islands’, 112–13,
116
‘Manifesto’, 124, 129
The Married Man, 137, 142, 143, 145,
146
‘Medlars and Sorb-Apples’, 130, 246
‘Men Must Work and Women as Well’,
11, 90
The Merry-go-Round, 141, 145, 146
‘Morality and the Novel’, 6, 173, 197,
254
More Pansies, 131
Mornings in Mexico, 73–74, 80–81,
82–83, 172, 268
‘The Mortal Coil’, 111
‘The Mosquito’, 128
‘Mountain Lion’, 128
Movements in European History, 72, 211
Mr Noon, 168, 175n.8, 254
Nettles, 120, 131, 238, 253
Noah’s Flood, 148
‘The Novel’, 173
‘The Novel and the Feelings’, 192
‘Odour of Chrysanthemums’, 107, 112,
139, 141, 146, 161
paintings, 173–74, 176n.21, 242
Pansies, 120, 131, 236, 238, 242
‘Phoenix’ (poem), 245, 246
‘Piano’, 121–22
The Plumed Serpent, 9, 37, 46, 71–73,
81–83, 104, 112, 123, 128, 147,
172–73, 181, 183, 191, 207, 239, 257,
261, 268
‘Poetry of the Present’ (‘Introduction to
the American edition of New Poems’),
127, 130, 133, 173, 183, 237
‘Pomegranate’, 128
‘Preface to Collected Poems’, 121, 124
‘A Prelude’, 54, 103
‘The Princess’, 3, 77, 78–80, 111
‘The Prussian Officer’ (story), 8, 54–57,
62, 103, 104, 106, 108, 109, 111–12,
161
The Prussian Officer and Other Stories,
104, 106
Psychoanalysis and the Unconscious, 93,
217–25, 232–33
‘Purple Anemones’, 129–30, 133
‘Quetzalcoatl’, 9, 71–73
The Rainbow, 3, 8, 12n.8, 22, 33–48, 49,
53, 67, 104, 124, 161, 164–67, 180,
181, 183, 188–89, 190, 202, 206, 217,
254, 256, 261, 264, 266, 267–68
‘The Real Thing’, 201
‘Red-Herring’, 132
‘Resurrection’, 250
‘Return to Bestwood’, 160, 210–11
‘Review of Chariot of the Sun by Harry
Crosby’, 119
Rhyming Poems, 120–24
‘River Roses’, 125–26
‘The Rocking-Horse Winner’, 112, 113
Sea and Sardinia, 69
‘The Shades of Spring’, 112
‘The Ship of Death’, 132–33, 191,
247–48, 250
‘A Sick Collier’, 107
Sketches of Etruscan Places, 160, 191,
247–48, 253
‘Smile’, 3, 105–7, 113, 114
‘Snake’, 128–29
‘Snap-Dragon’, 122, 133
‘Song of a Man Who Comes Through’,
126–27
‘Song of a Man Who Is Loved’, 126
‘Song of a Man Who Is Not Loved’, 126
Sons and Lovers, 2, 5, 8, 9, 12n.8,
18–19, 22, 24, 25, 26–29, 104, 107,
122, 139, 140, 141, 142, 143, 144,
145, 150–52, 160, 161, 162, 165,
171, 191, 200–1, 206, 211, 217, 218,
219, 236, 239, 254, 257, 261, 264,
268
‘The Spiral Flame’, 242, 244–45
St. Mawr, 10, 77–78, 81, 103, 104, 111,
116, 170, 203, 207–10, 257, 268
‘The State of Funk’, 192
Studies in Classic American Literature,
64n.6, 68, 168, 172, 176n.15, 180,
193, 199, 223, 224, 268
‘Study of Thomas Hardy’, 25, 87–88, 94,
99, 127, 176n.15, 180, 199, 213, 218,
227, 254
‘Swan’, 131, 242, 243
The Symbolic Meaning, 52, 64–65,
223–24, 233n.9, 254
‘Taos’, 70
‘The Thimble’, 111
‘Things’, 116
‘The Thorn in the Flesh’, 107–8
‘Tickets, Please’, 108
Touch and Go, 147
The Trespasser, 2, 15, 22–26, 27
Twilight in Italy, 54, 56, 57, 62, 167,
175n.8, 176n.15
The Virgin and the Gipsy, 37, 111, 113,
115–16, 253
The White Peacock, 15–17, 19, 22–23,
26, 119, 122, 138, 161, 166, 194n.3,
211
‘The White Stocking’, 107, 112
‘Why the Novel Matters’, 254
Lawrence, D. H. (cont.)
The Widowing of Mrs. Holroyd, 137,
139, 140–41, 145, 146, 148, 149, 193,
196n.31, 219
‘Wintry Peacock’, 108
‘The Woman Who Rode Away’, 3, 74–76,
78, 103, 104, 111, 112, 172, 264
Women in Love, 1, 3, 8, 12n.8, 36–38, 41,
46, 50, 57–65, 67, 73, 104, 124, 147,
162, 165, 166, 167–68, 169, 176n.15,
180, 181, 183, 188, 189–90, 206–7,
210, 211, 223, 225, 226, 228, 236,
239, 254, 256, 257, 261, 264–65, 268
‘A Young Wife’, 126
Lawrence, Emily (sister), 29
Lawrence, Frieda von Richthofen Weekley,
2, 34–37, 45, 73, 80, 108, 124–25,
142–43, 148, 159–60, 161, 163, 165,
166, 168, 169, 170–71, 219, 230, 237,
239, 253, 256, 257
Lawrence, John Arthur (father), 2, 132, 160
Lawrence, Lydia (mother), 2, 82, 122, 132,
137, 141, 157, 160, 161, 162, 170,
201, 206, 228, 238
Leavis, F. R., 5, 104–5, 111, 112, 113, 166,
167, 203–4, 255–62, 264, 265, 268
Leavis, Queenie, 257
Leda and the swan, myth of, 131, 241,
242–46, 248–49, 252n.21
lesbianism, 33, 42, 44, 46, 47, 100
Lessing, Doris, 8, 67, 269n.20
Lévy-Bruhl, Lucien, 181
Lewis, Percy Wyndham, 179, 182–83, 191,
195n.25, 203, 211, 267
Low, Barbara, 219, 220
Lowell, Amy, 106, 119
Lowell, Robert, 120
Lucie-Smith, Edward, 120
Luhan, Tony, 68, 80, 172
Mackenzie, Compton, 68, 113
Mackenzie, Henry, 187
Maddox, Brenda, 159–60, 175–76n.8
Madonna (singer), 249
Mailer, Norman, 123, 266
Manchester School (of drama), 139, 142–43
manliness, see masculinity
Mann, Thomas, 173, 183, 184, 188, 189
Marcus, Frank, 149–50
Marcus, Phillip, 241
Marcus, Steven, 44
marriage, 7, 10, 15, 16, 22, 34–37, 39–40,
42, 52, 72, 74, 79, 85n.22, 89–90, 105,
107, 108, 110–11, 114, 119, 122–23,
124–26, 127, 130, 133–34, 140–41,
142–43, 159–60, 161, 166, 170, 172,
198, 199, 200, 201, 208, 213, 228,
230, 242, 245–46, 264–65
Marsh, Edward, 165
Martz, Louis, 27
Marx, Karl, 89, 205, 211, 259, 267
masculinity, 25, 27, 52, 54, 65n.22, 128,
204, 227–29, 230
see also gender; homosexuality
materialism, philosophical, 1, 16–20, 23–25,
27, 28, 29n.9, 88–89
Maupassant, Guy de, 105
Maurois, André, 134
medical metaphor, see sickness and health
(as metaphors)
Melville, Herman, 52, 68
Mendel, Gregor, 17
Merrill, James, 249
Meynell, Violet, 166
Miller, Henry, 123
Millett, Kate, 4, 5, 10, 33, 43, 65n.24, 124,
197, 205–7, 210, 212, 264–65, 266, 267
misogyny, 10, 75, 131, 158, 187, 205, 208,
227, 237, 263, 264, 266, 267
modernism, 5, 8, 10, 24, 105, 113, 119–20,
179–96, 203, 208, 226, 231, 232,
235–40, 248–49, 267–68
Montgomery, Ruth, 235
Moore, Harry T., 152n.1, 158, 159, 197,
253, 259
Moore, Marianne, 120
Morrell, Ottoline, 50, 53, 165
Morris, William, 205
motherhood, 45, 82, 89, 114, 139, 141,
142, 150, 157, 219, 225–26, 228, 229,
230, 231, 238, 239
Moynahan, Julian, 261
Murry, John Middleton, 35, 60, 62, 73, 105,
113, 157, 162, 165, 166, 168, 169,
190, 218, 256–57, 259, 260, 265
myth, 9, 10, 85n.22, 99, 108, 129, 131,
133–34, 181, 182, 187, 188–92, 204,
212, 230–31, 238, 240, 244, 249, 253,
263
Nabokov, Vladimir, 39, 44–45
Nardi, Piero, 158
naturalism, 9, 103, 106, 107, 108, 110, 112,
139, 141, 146, 148, 150, 182, 184, 193
see also realism
Nehls, Edward, 158
neurasthenia, 6, 94–95, 228
‘New Age’ cultural phenomena, 235–36, 240
see also apocalyptic thought
New Criticism, 4–5, 159, 164
Ngugi wa Thiong’o, 71, 84n.11
Nietzsche, Friedrich, 117, 173, 180, 188,
198, 237
Nin, Anaïs, 123, 149, 199
Nordau, Max, 61, 65n.22
Oedipus complex, 51, 206, 207, 219, 230, 243
see also Freud, Sigmund; unconscious, the
panic, 9, 107–10, 116–17
Paul, St, 52, 59, 259
Payne, Ben Iden, 142–43, 145, 146
The Pearl, 44
physical consciousness, 10, 24, 46, 56, 57,
73–75, 89, 92–95, 162, 173–74, 202,
208, 212, 220–21, 222–31, 226, 237, 268
see also unconscious, the
Pinkney, Tony, 267–68
Plath, Sylvia, 120, 249
Plato, 167, 208
Poe, Edgar Allen, 114
polarities, Lawrence’s use of, 7, 9, 17, 19,
20, 24, 25, 29n.7, 50, 52–53, 57, 127,
128, 129, 162, 166–67, 173, 174,
220–21, 222, 224, 225, 226, 231, 261,
265–66
political correctness, 83–84n.7, 188, 212,
237, 239, 243
Ponge, Francis, 120
Pope, Alexander, 115
pornography, 8, 44–45, 46, 47, 202, 237
postmodernism, 10, 194, 235–37, 249–50,
268
post-structuralism, 5, 33–34, 158–59, 173,
237
Pound, Ezra, 5, 10, 33, 120, 130, 165,
179–80, 185, 187, 188, 191, 193,
194n.4, 195n. 25, 195n.30, 238
primitivism, 33, 46, 169, 181, 191, 237, 268
prose style, Lawrence’s, 1, 5, 17, 24, 26–28,
40, 51, 58, 115, 150–52, 166, 209, 211,
223, 237–38, 263, 267
Proust, Marcel, 182, 183
queer theory, 3
race, 3, 6, 8, 46, 49, 51–54, 57–58, 61,
63–64, 67–85, 100, 107, 172, 207, 209,
239, 267
see also colonialism
Rauh, Ida, 147, 148, 152n.3
Rayner, Teddy, 137
realism, 142, 143–44, 148, 161, 181–82,
189, 191, 192, 207–12, 268
see also naturalism
Reed, Oliver, 265
Reich, Wilhelm, 204–5
Reid, Revd Robert, 19–20
Renan, Ernest, 18
reputation, Lawrence’s, 1, 3–8, 10–11, 149,
197, 199, 202–4, 217, 236–37,
253–69
Rilke, Rainer Maria, 120
Romanticism, 4–5, 10, 120, 129, 157, 165,
174, 180, 185, 194nn.4–5, 237, 256,
268
Rousseau, Jean-Jacques, 258
Royal Court Theatre, 149, 196n.31
Russell, Bertrand, 108, 109, 119, 167,
177n.31
Russell, Ken, 265
Saïd, Edward, 53
Salgãdo, Gãmino, 265
Sanders, Scott, 212
satire, 9, 77, 103, 109, 113–15, 119,
131–32, 148
Scheckner, Peter, 212
Schopenhauer, Arthur, 21, 54, 214n.5
science, 6, 8, 17–19, 25, 90, 182, 217, 219,
221, 222, 242–43, 250
Scott, Cyril Kay, 109
Scrutiny, see Leavis, F. R.
Sedgwick, Eve Kosofsky, 3, 64–65n.8
Senghor, Léopold Sédar, 83n.4
Sexton, Anne, 120
Shakespeare, William, 137, 141
Shaw, George Bernard, 137, 145
Shelley, Percy Bysshe, 120
sickness and health (as metaphors), 5, 10,
11, 157, 163, 171, 190, 218, 221–22,
229–30, 256, 257, 258, 260, 262, 264,
268
Smith, Ernest, 18–19
socialism, 20, 201, 209–211
see also communism
Socrates, 180
Sophocles, 138
Soyinka, Wole, 71
Spencer, Herbert, 25
Spender, Stephen, 259
Spilka, Mark, 197, 259, 265
Squire, J. C., 257
Stein, Gertrude, 44
Stevens, Wallace, 248
Stravinsky, Igor, 235
Strindberg, August, 145, 193
suffragism, 200–1
see also feminism
Swift, Jonathan, 116
Swinburne, Algernon, 237, 238
Sword, Helen, 9, 249
symbolism, 16, 39, 51, 54, 75, 79, 82, 100,
101, 108, 112–13, 115–16, 133, 134,
167, 180, 198, 200, 208, 211–12, 228,
240–41, 253, 261
Synge, J. M., 138, 145
Tennyson, Alfred, 18
Thomas, Dylan, 132
time, 10, 23–24, 25, 38–39, 41, 58, 70, 88,
182–83, 189, 240–41, 243, 247–48
Tindall, W. Y., 175n.2, 241
Tolstoy, Leo, 190
Trial, Lady Chatterley, 36, 202, 255, 261–63
Tristram, Philippa, 266
unconscious, the, 10, 26–29, 45, 89, 93–95,
149, 189, 190, 203, 206, 217–33, 239,
265–66
see also Eder, David; Freud, Sigmund;
Jung, Carl Gustav; Low, Barbara;
physical consciousness
Verga, Giovanni, 173, 175n.8, 177n.34, 186
violence, 9, 46, 51–52, 54, 55–56, 63–64,
71, 72, 76, 77–78, 84n.18, 89–90,
122–23, 132, 139, 140, 147, 163, 172,
228, 242
Vivas, Eliseo, 261, 265
Voltaire, 116
Wagner, Richard, 63
Walcott, Derek, 84n.18
Weekley, Ernest, 35, 142, 146
Weldon, Fay, 235
Wells, H. G., 152n.6
West, Rebecca, 11, 172, 262
Whitehead, A. N., 182
Whitman, Walt, 52, 64n.6, 120, 121, 127,
227, 238
Widmer, Kingsley, 265
Wilde, Oscar, 65n.22, 238
Williams, Linda Ruth, 5, 37, 266
Williams, Orlando, 115
Williams, Raymond, 112, 204, 211, 212,
262, 263, 269n.17
Williams, William Carlos, 120
Woolf, Leonard, 103, 220
Woolf, Virginia, 2, 3, 5, 9, 38, 120, 179,
180, 182, 183, 220, 231, 235, 238, 267
Wordsworth, William, 120, 131
work, 9, 27, 87–102, 169, 199, 201, 204,
206, 227
Worthen, John, 2, 5, 7, 9, 30n.12, 160–63,
193
Yeats, W. B., 120, 138, 180, 189, 191,
195n.25, 236, 237, 239–44, 248, 249