INTRODUCTION by Gianfranco Mossetto and Marilena Vecco |
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SECTION I - THEORY AND HISTORY |
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1. Frey Bruno S., Some Considerations on Fakes in Art. An Economic View |
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1.1 A Widespread Activity |
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1.2 Dominant Views on Fakes |
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1.2.1 The Legal Position |
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1.2.2 The Art Historic Position |
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1.3 Beneficial Aspects of Imitations |
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1.4 Harmful Aspects of Imitations |
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1.4.1 Demand |
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1.4.2 Supply |
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1.5 Quotations as Solutions? |
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References |
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2. Benhamou Françoise and Ginsburgh Victor, Is There a Market for Copies? |
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2.1 Introduction |
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2.2 Forgeries, Copies and Reproductions |
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2.3 Artists, Consumers and Markets |
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2.3.1 Artists and their Patrons |
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2.3.2 Markets |
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2.4 Copies and the Law |
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2.4.1 The Legal Definition of Originality |
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2.4.2 Public Domain versus Non Public Domain |
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2.4.3 Copies as Double and Copyrightable Goods |
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2.5 Copies and Art Historians |
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2.5.1 Exhibitions and Museums |
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2.6 Concluding Comments |
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References |
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3. Mossetto Gianfranco, The Economics of Counterfeiting |
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3.1 Introduction |
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3.2 The Importance of Being Conterfeited: The "Cuckoo Model" |
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3.3 Some Economics of Forgery |
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3.4 From Cuckoo to "Pedlar" |
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3.5 The "Breath of the Artisf' Model |
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3.6 Conclusions |
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References |
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4. Corazza Marco and Funari Stefania, Quantitative Dynamics for the Pedlar Model |
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4.1 Introduction |
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4.2 Dynamic Behaviour |
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4.2.1 Dynamic Demand Function |
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4.2.2 The Monopolist's Behaviour |
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4.2.3 The Counterfeiter's Behaviour |
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4.3 The Model |
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4.3.1 Homogeneous Solution |
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4.3.2 Particular Solution |
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4.4 Stability Conditions |
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4.5 Concluding Remarks and Open Items |
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References |
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SECTION II - MARKET AND PRICING |
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5. Lazzaro Elisabetta, Moureau Nathalie and Sagot-Duvaroux Dorninique, From the Market of Copies to the Market of Fakes: Adverse Selection and Moral Hazard in the Market of Paintings |
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5.1 Introduction |
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5.2 Definitions of Copies |
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5.3 Case 1: A Copy sold as a Copy |
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5.3.1 Copies, a Way to diffuse an Original |
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5.3.2 Copies, a Vertical Differentiation of the Market |
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5.4 Case 2: From the Market of Copies to the Market of Fakes. A Copy sold as an Original |
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5.4.1 Causes for the Appearance of Fakes |
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5.4.2 Economic Consequences of Fakes on the Market |
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5.4.2.1 How can the Adverse Selection Problem be avoided? |
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5.4.3 Certificates and Warranties |
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5.4.4 Descriptive Catalogue |
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5.4.5 Legal Protection |
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5.5 Case 3: An Original sold as a Copy |
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5.6 Case 4: Nobody knows |
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5.7 Concluding Remarks |
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References |
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6. Frank Björn, Art Price Research for Fakes and Imitations |
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6.1 Introduction |
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6.2 Prices for Fakes: Some Econometric Evidence |
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6.2.1 Background and Data |
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6.2.2 Results |
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6.3 Some Lessons from Imitations |
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6.4 Final Remarks |
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References |
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SECTION III - LAW ENFORCEMENT |
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7. Ricolfi Marco, The Wars on Piracy and their Dilemmas |
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7.1 Introduction |
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7.2 The Piracy Inducement Dilemma |
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7.3 The Downstream Users Dilemma |
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7.4 The Multilateral Monopoly Dilemma |
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References |
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8. Silva Francesco and Ramello Giovanni B., Sound Recording Market. The Ambiguous Case of Copyright and Piracy |
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8.1 Introduction |
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8.2 The Legal Industry: Main Features |
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